Showing posts with label Abby Johnson. Show all posts
Showing posts with label Abby Johnson. Show all posts

Sunday, March 31, 2019

Hard-hitting Unplanned Unmasks Abortion Industry


Unplanned opens with a heart-rending sequence. Abby Johnson (played by Ashley Bratcher), the young director of a Planned Parenthood clinic in Texas, on whose true life story the film is based, is asked to assist with an abortion in her own facility, due to staff shortage. Even though she has worked at the clinic for years, and has recently become its director, she had never actually observed an ultrasound guided abortion procedure before. Her task now is to manage the ultrasound, which projects an image of the baby about to be aborted. She watches in horror as the baby struggles to get away from the suction tube. Her horror intensifies as she sees the ultrasound image of the baby break apart and disappear into the tube.

The inhuman spectacle is the turning point in Abby's life, her moment of conversion. We then see in flashback how her life unfolded up to this moment, going from the daughter of a pro-life family to a professional in the abortion industry, who, at the pinnacle of her career, receives an employee of the year award from Planned Parenthood. We also see where her conversion leads her, and the new life that awaits her as she becomes a pro-life advocate. Though the movie starts in darkness and is not afraid to confront horrors that our society does not want us to discuss openly, the story also offers hope and shows the power of love and forgiveness.

The pivotal ultrasound sequence described above, though CGI, is admittedly difficult to watch. Three other scenes are also very disturbing: At one point, Abby takes the RU486 abortion pill, leading to profuse bleeding, clotting, and agonizing pain, nearly causing her death. In another scene, we see a teenage girl nearly bleed to death due to complications from her abortion. At one point, we also witness the casual inspection of severed baby parts in a routine protocol done after each abortion to ensure that no parts of the child got left behind in the mother's body.

The above sequences are decidedly disturbing. Nevertheless, they are much less gory than many movies today, including ones with a PG-13 rating. Some viewers will find the images deeply upsetting. Others, inured to violence in movies, will be less affected. But if the images do not come to preoccupy our minds after watching the film, they definitely should. They should haunt our dreams. Since 1973, approximately 60 million children have been killed through abortion in the United States, a higher volume of death than even the greatest mass murders of human history have been able to engineer. If the movie has a fault, it is not that it is too gory, but rather that it is too gentle in depicting the reality of this large-scale slaughter, so casually accepted in our society.

But though the film is not as gory as it might have been, the story does much to unmask the reality of the abortion industry, specifically the world of Planned Parenthood. Unplanned pulls no punches in depicting the physical and emotional pain associated with abortion procedures, and the psychological scars that last a lifetime. The ultrasound sequence we see at the beginning is also especially significant because such images would not be seen by women seeking an abortion. Company policy prevents them from being shown the ultrasound of their child, lest they have second thoughts. The film also explores other ways that many women are pressured, bullied, misled, and lied to in order to get them to abort. We see that, far from seeking to make abortions rare, Planned Parenthood works to increase its abortion quotas, because abortion is big money. We see that abortion, in fact, is Planned Parenthood's chief source of income, hence the pressure to perform more and more.

At the same time, the movie doesn't shy away from depicting problems in the pro-life movement either. Some prolife protesters are shown as misguided or even mean-spirited, and definitely counter-productive. But Unplanned also explores highly effective forms of pro-life outreach, giving us a model for how it should be done. Above all, the film emphasizes the tremendous power of prayer in combating abortion. At one point, Abby discusses her observation that on days when people would pray outside the clinic, the number of no-shows to abortion appointments would dramatically increase. Prayer also plays a significant role in her conversion from a champion of abortion to a pro-life advocate.

No wonder secular forces have opposed this movie from the get-go. During the film's production, Disney, Sony, Universal, and Round Hill Music all refused to provide rights to some music for the making of the film. The MPAA gave the movie an unexpected R rating, despite the fact that Unplanned contains much less gore than many PG-13 movies. Ironically, in many places in the country, underage girls can get an abortion without parental consent, but they would require the consent of their parents to be able to see this movie about abortion. As Unplanned prepared to open, most TV networks rejected advertising for the film, and most secular critics predictably savaged it in their reviews. The day after the grand opening, Twitter suspended the promotional Twitter page for the movie for a portion of the crucial Saturday of opening weekend. Oddly (or perhaps not so oddly), the topic of the film did not start to trend on Twitter, despite a very high volume of engagement.

The secular efforts to sabotage the film should make us all the more determined to see it and to share it with others. In fact, Unplanned has been called the Uncle Tom's Cabin of the pro-life movement. Just like the novel Uncle Tom's Cabin exposed the realities of slavery, thereby turning public opinion in the North against that inhuman institution, so also Unplanned can help multitudes to see the truth about abortion. The power of the abortion movement has been in hiding that truth, disguising the grizzly reality of abortion through double-speak, obfuscation, and euphemisms. Unplanned breaks through that carefully choreographed facade, and brings us face-to-face with the true reality of what is actually happening in our society.

The secular institutions of our society will continue to try to hinder and suppress this film. Therefore, we must take it upon ourselves to spread the word. All churches should have viewings of Unplanned. All high school youth groups and adult formation programs should see it and discuss it. If any single work can galvanize our country to confront decisively the horror of abortion, it is Unplanned.

In addition to its essential message, Unplanned exhibits very high production value. The movie is well acted, and the story is told with great cinematic skill. Unplanned, put out by PureFlix, an online Christian streaming service, shows, along with other recent powerful Christian movies such as I Can Only Imagine and Paul: Apostle of Christ, that Christian filmmaking has, at long last, come of age. We can hope for many more well-made Christian productions to provide an alternative to Hollywood's agenda.

In closing, let me return to where I started, the CGI ultrasound sequence at the beginning of the film. The scene is disturbing not only because of the depiction of the dismembering of a living child, but also because of the image of the empty womb after the abortion. Where moments before there was a human child, now there is only darkness and emptiness. That image shows powerfully one of the saddest aspects of abortion – the missing children. How many parents have been robbed of children, how many grandparents of their grandchildren? How many children of their siblings? How many couples longing to adopt a child have been denied the opportunity to do so? How many great works of art have not been created, how many inventions have remained uninvented due to so many children being dismembered in the womb?

As I watched the film, these words of Scripture came to mind: "In Ramah is heard the sound of sobbing, bitter weeping! Rachel mourns for her children, she refuses to be consoled, for her children - they are no more!" (Jeremiah 31:15) I cried too during the film. Profusely. We should all cry, bitterly. And we should pray, and fast, and offer sacrifices, and speak out, and work for a society in which a mother killing her own child is no longer described as "women's health."

Sources:

Twitter inexplicably suspends Unplanned movie account on opening weekend

Unplanned Official Site

Photo Credit: The photo included in this article is a promotional still circulating on the Internet.